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Features include:
Morph module for vocoder-style spectral morphing with frequency-selective amount control
Spectral-based delay with independent delay and feedback control for each frequency band
Spectral-based stereo panning
Filter module for frequency-selective attenuation
Smear module including four independent delay lines with flanger-style LFO for smoothing the output of the Spectron Engine
Innovative interface allows for virtually unlimited sweeping and triggering options, includes advanced LFO settings with amplitude, frequency and pulse-width modulation.

Trash is a 64-bit spice rack of distortion. For guitarists recording direct, Trash provides over 85 box, cabinet and speaker models — ranging from standard amp classics to stacks to experimental designs. Combined with 45 overdrive and distortion models — 12AX7 tubes, 6L6 tubes, transistors, fuzz, rectifiers, and more — you can make Trash sound as good, bad, real or unreal as you want.

Trash goes beyond a typical “guitar amp simulator” effect, though. With multiband distortion, sweeping filters and emulations of classic delays it can be effectively applied to bass, vocals, drums as well.

Key features:

• 48 distortion types ranging from tube overdrive to the fuzz of germanium transistors. Chain pairs of distortions together for sonic destruction at 64-bit precision, or split the signal into multiple bands and apply distortion independently to individual frequencies.
• Realistic modeling of 85 amp cabinets and speakers. Classics, combos, boutique models, stacks… a tone and character for any occasion.
• 36 filters that can be LFO or envelope triggered through a unique graphical display. Synth filters, resonant filters, classic analog filters and more.
• Multiband dynamics and gating to control the peaks and tame the noise.
• Trash the echo with a selection of classic lo-fi delays. Tape delay with saturation and nonlinear tape machine artifacts, tape-tube delay with added tube saturation modeling, classic analog delay with analog degradation and Lo-fi digital delay with quantization noise and aliasing.
• History and Undo features, dedicated preset manager with dozens of drum, guitar and bass presets, spectrum and level meters, and DirectX automation.

Features:

• iDrum can have any number of channels.
• Load any AIFF or WAV file smaller than 2MB.
• Quickly scroll through the samples in a folder while iDrum plays them back.
• Quickly jump to any sample in a folder.
• Drag and drop samples into iDrum’s window to create new channels.
• ‘Part Presets’ – save channel parts as .cpart files.
• Full sync when running within Logic and Garageband.
• Bounce to AIFF — you can save the current pattern as an AIFF… you also have the option to have iDrum bounce *each channel* to a separate AIFF in one go.
• Save as MIDI — You can export part data as a single MIDI file for more advanced editing in Logic or GarageBand and disengage iDrum’s ‘slave to host’ option to use it as a sample playback instrument. (You can also optionally export in GB-friendly AppleLoops wrapped MIDI).
• Sample-Accurate clock when bouncing as AIFF or running in Standalone.
• iDrum files – iDrum saves its state in a file with the .idrum extension — it can optionally store all the samples that are part of the current kit for portability. In addition, it stores all the part and pattern data as well — making an idrum file a kind of insane loop file, with all the original one shots, plus pattern data.
• Skins – iDrum is fully skinnable via .skin files.
• Supachunky Swing.