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Posts Tagged ‘mastering’

Propellerheads – Reason 4

February 24th, 2010 mdx No comments

More Info : http://www.propellerheads.se/products/reason/

Propellerhead Reason 4.0 Details
Stronger, swifter, and smoother to work with, Reason 4 music production software will alter the way you create your music. It comes in the familiar shape of a classic studio rack, packed with all the gear you could possibly need: samplers, analog synths, graintable synth, vocoder, mixer, step-time drum machine, arpeggiator, compressors, EQ, and effects. A realtime multitrack sequencer provides full control over every detail, letting you create and edit your music quickly and intuitively. Reason 4.0 also has a massive sound bank full of sounds, loops, and patches for all possible styles of music. The devices and features added to Reason 4 software will not only inspire you to produce great tracks, they will provide you with new ways of doing so.

Sequencer
Dedicated to turning your ideas into great music, Reason 4′s sequencer is swifter, stronger, and more intuitive than ever with a whole new look, tons of fresh features and a completely new way of handling sequencer data. The key word here is workflow. A sequencer device or instrument now gets its own dedicated track, with separate lanes for note, performance, and automation data, opting for a better overview and less clutter. All sequencer data-notes, automation, the works-is now housed in clips, musical building blocks that can be opened, sliced, or moved. When a clip is moved to a new location, all its internal data follows right along with it, ending up exactly where you intended for safe, speedy sequencing. The Tool window is an ever-present floating window that provides lightning fast access to those detailed editing functions you use all the time; quantize, transpose, note velocity, note length, and legato.

RG-8 Arpeggiator
Reason 4 ships with RPG-8, a unit dedicated to the art of arpeggiation. Some arpeggiators are quite content with simply transforming chords into wandering, rhythmic melody lines. The RPG-8 monophonic arpeggiator isn’t. With a range of on-panel controls and mode selectors, a pattern section for muting selected notes in an arpeggio, and a large display showing values and positions, this device gives you full creative control over your arpeggios.

Although very hands-on and user friendly, the RPG-8 boasts some very advanced features under the surface that will change how you play Reason’s instruments. The Single Note Repeat function engages the arpeggiator only when two or more simultaneous notes are held down-letting you add sudden bursts of arpeggio to your melody lines. The Manual mode will arpeggiate notes strictly in the order they were input, for realtime arpeggio control. Try arpeggiating your breakbeats, orchestra samples, or ReCycled vocals for more dramatic flair.

ReGroove Mixer
If you want your tracks to flow with a less rigid, less programmed feel, a regular shuffle control just doesn’t cut it. The ReGroove mixer, Reason 4′s real-time groove management device gives you more than just a set of sequencer swing parameters, you can apply its timing magic nondestructively, giving you freedom to adjust its settings and fine-tune your groove as your music is playing.

Lock all your tracks together into one unified feel, or apply different settings to up to 32 musical elements in your song for ultimate control. Each of the groove channels features controls for groove amount, slide, and shuffle, plus more detailed settings. The Reason 4 sound bank comes with a great selection of groove patches, many of them created from analyzed recordings of real musicians, as well as classic groovy tracks.

Thor Polysonic Synthesizer
Thor has the amazing ability to sound like every synthesizer imaginable and like none you’ve ever heard before too. Where other synths use one specific form of synthesis and one single filter, the Thor polysonic synthesizer features six different oscillator types and four unique filters. This gives you an unstoppable monster of a sound generator that utilizes synthesizer technology from the last 40 years.

Six open filter and oscillator slots let you load up three different synth filters and three separate oscillators simultaneously, allowing you to dial in synth sounds that are completely original. An all-powerful modulation matrix gives you complete control over your signal flow, letting you modulate anything within Thor with anything within Thor.

At the bottom of this synth sits an analog style step sequencer with more than one twist. Being every bit as modular as the rest of Thor’s components, this step sequencer does more than just play melodies. It can be used as a modulation tool, to trigger phrases from specific keys, create intense arpeggios, and generate piercing percussion lines. With its unique selection of oscillator types and synth filters, the Thor polysonic synthesizer is a veritable synth museum. It may have one foot in history, but its sound is pure future.

Localization
When you install Reason 4, you can now choose between four different language versions: English, French, German, or Japanese. The entire application, from installer to menus and help files, will speak the chosen language.

Factory Sound Bank
Reason 4 wouldn’t be a true Reason product without its huge Factory Sound Bank. The Sound Bank holds patches for all devices in Reason to help you get going instantly including Thor patches; more Combinator patches, including arpeggio-driven patches using the RPG-8 arpeggiator; groove files for ReGroove; new ReDrum drum patches; and song starters.

Signature patches
Having the best sounding synth on earth is a lot more fun if you have a set of great patches to play with. Propellerhead invited some of the world’s leading synthesists and sound developers to add their own Thor patches to the Reason Sound Bank, including Daniel Wang, Morgan Geist, Pascal Gabriel, Plaid, Richard Barbieri, Richard Devine, Sonic Boom, Tipper, Two Lone Swordsmen, Gordon Reid, and Vengeance.

Tool Window
The new Tools Window is a floating window containing all your most frequently used tools. With it, you can create new devices by choosing from a device palette, fine tune your sequencer data from the Tools pane, or set groove parameters using the groove pane. The device palette lets you drag and drop instruments and effects directly to the rack, placing them just where you want them. The Tools pane contains all of Reason’s sequencer editing tools, allowing for quick access to everything from quantization to vector automation cleanup and legato adjustments. When you hit a channel’s Edit button in the ReGroove mixer, the selected groove’s parameters show up here for instant editing. It’s also where you can save your own groove files.

Combinator and NN-XT updates
If you’re into making your own sounds, the Combinator and NN-XT devices have both had minor revisions to make programming patches easier and more powerful.

The Combinator now has a function that transposes notes sent to a device which is very handy to create splits. Other additions include performance data filters to stop certain types of data from being sent to a device, more flexible choice of sources in the programmer, and a function to automate the receive notes option, making it possible to switch between instruments in a Combinator patch.

The NN-XT has been given features to edit multiple samples simultaneously, to chromatically auto-map samples, and a Group Mono function to let samples play polyphonically, but still be silenced by other samples in the same sample group.

IK Multimedia – T-RackS 3

February 11th, 2010 mdx No comments

T-RackS 3 is a modular mastering/mixing suite of nine analog-modeled and digital dynamics and EQ processors. It provides all the tools you need to create tube-toned or digital-tuned mixes and masters.

The 9 Modules:

  • Vintage Tube Compressor/Limiter model 670.
  • Vintage Tube Program Equalizer.
  • Opto compressor.
  • Multi-algorithm Brickwall limiter.
  • Linear Phase Equalizer.
  • Classic T-RackS Compressor.
  • Classic T-RackS Multi-band Limiter.
  • Classic T-RackS Clipper.
  • Classic T-RackS Equalizer.

Software specification:

  • Works as a standalone application: ASIO (Windows) and CoreAudio (Mac OS X) compatible.
  • Works as a plug-in: Supported plug-in formats: VST, RTAS and Audio Units.
  • Configurable mixing/mastering chain – run up to 12 parallel / series processors.
  • High quality oversampling.
  • High precision and high transparency digital processors.
  • Analog-modeled vintage classic devices.
  • Full latency compensation support.
  • Module and Global presets.
  • Multiple curves Fade In and Out (standalone only).
  • Multiple Snapshots, independent for each audio file (standalone only).
  • Supports sampling rates up to 192 kHz.
  • Supports multiple input and output audio formats (Wav, Broadcast Wav, Aiff, MP3), sampling rates and resolutions.
  • High quality sampling rate and bit depth converters.
  • Single or Multiple audio files processing (standalone only).
  • DSM and SCC proprietary IK technologies for extremely accurate digital models of analog hardware devices.

Metering:

  • Multiple scale precision Peak Meter, peak hold and digital Over indications.
  • Real Perceived Loudness Meter.
  • RMS Level Meter.
  • Hi speed Phase scope with selectable display options.
  • Spectrum Analyzer with Peak, RMS and Averaging display options.

iZotope – Spectron

February 4th, 2010 mdx No comments

Features include:
Morph module for vocoder-style spectral morphing with frequency-selective amount control
Spectral-based delay with independent delay and feedback control for each frequency band
Spectral-based stereo panning
Filter module for frequency-selective attenuation
Smear module including four independent delay lines with flanger-style LFO for smoothing the output of the Spectron Engine
Innovative interface allows for virtually unlimited sweeping and triggering options, includes advanced LFO settings with amplitude, frequency and pulse-width modulation.

Waves L3 MultiMaximizer

August 22nd, 2009 mdx No comments

Waves.L3.Multimaximizer.v1.0-H2O_VST_RTAS

When top mastering engineers sit down behind the board, they need their music software to enhance frequency response and maximize levels while protecting the fidelity of their sources. That’s where the Waves L3 comes in: The world’s first auto-summing multi-band limiter for all-in-one mastering.

Waves L3 Multimaximizer Native Software Features:

* PLMixer Peak Limiting Mixer automatically maximizes volume
* 5-Band Linear Phase EQ for sweet highs and punchy lows
* IDR Increased Digital Resolution Dithering & Noise Shaping
* Brickwall Limiting on all 5 user-definable bands
* Master and Individual ARC Adaptive Release Controls
* Priority Controls for individual band attenuation
* Separation Control for blending band interaction
* Double precision processing